. issue XXIV : vi .

by barathron

. artist : radio b .
. album : whole foods .
. year : 2013 .
. label : rayni day entertainment .
. grade : a .

Whole Foods

I have never understood people that claim not to enjoy music in general existence (most importantly the very few who claim to abhor and avoid music), as someone who wants to actively memorize popular top 40’s from 19’s to 20’s on 33 and 45 [CONNOR SEZS: Is it worth it?/ Let me work it/ etc chez mademoisellelliot]. Fascinating, but true, these persons without any enjoyment for any music or any tone, these individuals without a favorite let alone any listenable musician or group, do exist. Musical haters often only reveal this answer to a direct question, which is a loaded query in a short burst of digdug layering toasting the eventual hammer clicking silenced stop of blasts six or eight questions later from a variation of, “What’s your favorite artist?” to the last one which is always the incredulous non-question confirmation “So, you mean you don’t like to listen to any music–any music at all?” The less severe cases of music-aphobia extends outward to include such divided musical politics as people that only care for lyrics but never the music of any musician, orchestra, or collective, people that say they care for music but never quite enjoy lyrics of any artist or band or sextet, and of course the huge everypeople, every human being, every earthling who responds to some sounds, sonics, or singers in instant defensive motions for more so than just primal scary sound alerts [growls, howls, shrieks, creaks, rattles & hums, etc]. Hallucinogen users often suffer from an experience known as a “bad trip” which often reflects the emotional emotisphere of one’s being, only as good as you feel; wait a minute, it also sounds just like everyone I know, every human user within the interface. Everybody suffers and strives toward a high as a goal, longing to have straight A’s or the outstanding high with nary a low point, let alone a downward trending angle, any weakness or loss; life being the ultimate loss, liberty the one we all choose to accept in some loss or another, and the happiness that we are desperate to ever lose a grasp on every second of the existance we have.

While I have loved incarnations of rap throughout my entire life (okay, yeah, sticklers will call me out for my alienation and disillusionment as a twelve year old with the arrival of “gangsta rap” that invaded R&B staples of the early 1990’s as Tony, Toni, Tone, R. Kelly, Naughty By Nature and other Top 40 staples of WPGC and WKYS gave way to Snoop, Dre Ph.d, and bleeped / censored / scratched lyrics), I have always spent more time listening and relistening because there is a LOT to memorize. A joy for me is the ability for playback in my own head, liking memorization of an aural method as I do, I like to have a grasp on crawl running commentary for review and digestion.

So, as the Cheats Movement continued a showcase this year to joyous anniversary at Gallery 5, RVA HotSauce offering tithed to the community a great percentage of beautiful music. This led to my discovery of Radio B from the press release, which served to pique my perusal online which, to my delight, presented free music files to greet me. Not just free music files in blue hyperlink and nonsense numerical and letter listing, but eight full catalogue albums in user friendly, accessible, debonair designed, pattern professional gleam on a site unassociated with a bandcamp or soundcloud template. The artist’s own site gives Radio “a faith in music and artistry which spurs him on in a time where music seems to be fading away,” and that faith is great example of the evolution of mankind in a technodigital aging. Following a span of five years on the site itself and over a hundred songs (CONNOR SEZS: I’m not counting them, don’t call me about this anymore), this kind of portfolio is my favorite overview. All at once, the case for retroactive research seems at least considerate enough to have a birth and a death before digging up the truth, or interviewing the very entity itself before the loss of anyone or anything, any moment that doesn’t return.

Whole Foods, the most recent release, is my focus here. (CONNOR SEZS: Yer focused, okay. Warm that up, size that ring, wait, you’re writing down everything?) I say to you, and there are very few times I drive readers to a site, but I’m telling you, right now, go here, go here http://radiobmusic.com right now. Go to http://radiobmusic.com and download and listen to everything. The chance to view and listen to an artist in such depth is heavenly unheard of anymore in such a demand for monetary compensation for any offering. And this site offers you a beautiful interface and gorgeous waiting room interior design (meaning, I’d like to stay there all day like any good home or menu default screen), I bet it looks gorgeous on a smartphone of any platform (CONNOR SEZS: Woah. Okay. Yeah. Droid is sweet.). There are no other instructions, no easter egg to click on or mediafire foray or any other step by step instructions required of you. You get a lot of great songs, and so I give you this gift, readers, of an artist you should listen to deeply. At http://radiobmusic.com you get a lot of music to enjoy, and it is a pleasure. I love the entire album of Whole Foods (5 on 5 mixtape may supplant the top spot soon enough in my foreseeable future); the smooth production stays without a single popping skip of thesis, and the producing collaborators are many {Frequent contributor and fellow Rayni Day Entertainment cadre Nickelus F share production duties overture with Cashby, Trac-Qaeda, The Stoop Kid, NameBrand all producing tracks and Conrizzle, Fair, James River, Misterelle, Illa Scorsese, Chance Fischer, Vintage A, Tamir Rock, Noah O, Destiny Da Chef, Lil Lee, Deemize, Nike Nando & J Bizz appearing on tracks to kick out wisdom and jams}. While choosing Cypher in three incarnations to prove my point, (CONNOR SEZS: Wikipedia Says: A cipher is any collection or gathering of rappers, beatboxers, or breakers forming in a circle in order to jam musically together–the term has also in recent years come to mean the crowd which forms around the battles, consisting of spectators and onlookers. This group serves partly to encourage competition and partly to enhance the communal aspect of rap battles. The cipher is known for “making or breaking reputations in the hip hop community; if you are able to step into the cipher and tell your story, demonstrating your uniqueness, you might be more accepted.” These groups also serve as a way for messages about hip hop styles and knowledge to be spread, through word-of-mouth and encouraging trends in other battles) the entire album is something you can play from start to finish without feeling the itch to skip a track or turn a random selection to the playlisting. The battle rap style evokes a sense of improvisation and playfulness regardless of the often heavy subject matter or koan statements, which is no small feat considering the polished sheen all these songs exude.

So, do it already. Go to http://radiobmusic.com and start to love a local boy making good into great every single time, and a faith in music and artistry which spurs him on in a time where music seems to be fading away. As Radio’s site says, much better than I can, he “exemplifies the underdog mentality…. The idea is to make positives out of negatives…. Radio B hopes to inspire people through his music and motivate people to reach to the ends of the earth to reach their dreams. Coming from Richmond, a place where there is no major sports team, and local celebrities for the most part are…just that…local. There’s Deangelo and Skillz, and more recently Trey Songz from Petersburg, but the chances are slim for the aspiring artist in the Capital City…. Which makes Radio B and Rayni Day Entertainment’s underdog mentality all the more a reality…. And the world loves an underdog.”

by Perkus Tooth

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