. issue XXIII : vii .
Terminals self-titled release on Vaald embodies the grim, various, crisp beauty of their label. A stunning synthesizer composition running longer than an hour, Terminals draws out its reflective movements with pellucid prowess. This release eloquently balances compositional opposites, sometimes sliding into total silence, at others, occupying the full orchestral zest of a tune-up; sometimes whimsical, with flute or bird chirrups, at others, deep and reedy, with the tenacity of a contrabassoon; sometimes tense and tough in texture, at others, translucent and gelantinous, pealing out mid-range beauty of bells. Terminals is an exceptional, chameleonic work that manages to sustain a coherent but fundamentally evolving thread, and whose high points emerge effortlessly from the hushed, evocative center of each extended track.