. issue XX : viii .
Richmond-based sound artist Anduin refreshes material scraps in this uncanny and resonant mix, the tension between articulated percussion and sustained ambient currents creating a uniquely insecure periphery. This is a temperate ambient stargaze, creeping through its rustic balm and tepid temperature warmed by a verdant flush, and chilled by vigilant drone and saxophone hoopla. Strings and wood wind provide harmonic fibril to enliven the listener, and are more compelling than the strictly-percussion foreground approached used elsewhere. Similarly, tape echo vocals are senselessly nostalgic; sometimes successful, especially when staccato, manipulated to seem performative (“ah hah hah”). The ambience ranges from abyssal to tinny, mechanistic to organic.
WW Pool (who?) seems to be ‘napping’ in some sort of mausoleum doted on by deciduous trees and sundry mosses, in grayscale. It’s not unapt — the listener sinks in with the effortless resignation of just someone locked in the cemetery at night, or better, marooned on an island half-crag and half-foliage. Though it conjures place expertly, remarkably and in spite of the photograph documentation, we don’t know exactly where this sounds like. Perhaps it’s the assortment of material used, Frankensteinian, to propagate the space, but there’s something untethered about WW Pool’s always evoking an uncertainly positive experience. And it is an experience. The dense resin of the space is not always full-bodied, but it always encapsulates, and without affectation, too. Not too arty and not too dark, this mix is just right.